BATS Coaches
All the coaches at BATS School of Improv
are seasoned teachers and improvisers, with years of experience guiding students from improv basics to the intricacies of stagecraft and genre scene work. Our coaches specialize in creating a safe, constructive environment while using our teaching techniques to maximize learning and growth. Each is an approachable master of the BATS style of improv, artistically expressing the hilarity, and poignancy, of the human condition.
Basel Al-Naffouri
Basel Al-Naffouri began his theater journey at MIT where he took his first acting classes. While there, he performed in MIT’s productions of ‘Seven Menus’ and ‘The Elephant, Your Majesty’.
After moving to the Bay Area, he was introduced to improv by taking his first class at BATS in 2005. Soon after, Basel was invited to perform with the BATS Sunday Players and was a founding member of Double Entendre and Out of Line. He has also produced, directed and acted in “Improvised Arabian Nights”, an improvised show in the style of “A Thousand and One Nights”.
In addition to performing improvisational theater, Basel has appeared in numerous scripted shows. He played the role of Adnan in the Stanford Summer Theater production of Betrayed. Basel has also performed in Golden Thread’s ‘No Such Cold Thing’, which was featured in American Theater Magazine.
Basel has taught improv workshops both locally and internationally. He had led trainings with organizations such as Google and Aswat, improv troupes like Double Entendre and Audible Clique and internationally at KAUST University in Saudi Arabia and Laban in Lebanon.
Liz Baker
Karen Brelsford
Karen Brelsford is the co-Artistic Director of BATS Improv, together with Derek Yee. She is a BATS main stage company member, improv instructor, and a working TV/Film actor in San Francisco, LA and Canada. She is an active member of SAG-AFTRA and UBCP/ACTRA. Karen has taught improv and acting for over 10 years, educating aspiring performers in Canada and the Bay Area.
Her love of improv began over 20 years ago in Victoria, BC when she was invited to join the improv group Throw Us A Line. From there, Karen developed a thriving career in improv, including performing with Canada’s award-winning improv group Sin City. She performs regularly with RagTag Improv, The Iron Stage, and the pandemic-produced international group Boyband. Karen also performs as a comedic Kate Middleton impersonator.
Before pursuing a career in the arts, Karen was a Dendrochronologist at the University of Victoria and the Pacific Forestry Centre in Canada. She used tree- ring science to date historic log structures in the Canadian Rockies and to study the effects of fungus on tree growth and mortality. Karen has an associate degree in acting from the American Academy of Dramatic Arts, NY. She also holds a master’s degree and bachelor’s degree in science from the University of Victoria, Canada.
www.karenbrelsford.com
Dave Dennison
Dave Dennison describes improvised theatre as his first love.
Dave developed the improv format Family Drama at BATS Improv, and for more than ten years it’s been an audience and player favorite. He has performed with many groups including True Fiction Magazine, Scratch Theater, Start Trekkin’, the Particulars, Hey You, the Travellers, and Secret Improv Society. From 2005 to 2008, he served as Artistic Director of BATS Improv.
In 2009 Dave co-founded Awkward Dinner Party with Lisa Rowland, and they’ve played to packed houses ever since.
Dave has appeared in several industrial videos for clients such as Cisco, NRG, Do.com, Oracle, InVisage, and Alteryx, to name a few. He’s also appeared in the short films World Record Guy, 144K, and Troubador and the feature film Security. Dave is working on a one-man show about his life growing up in Daly City.
In addition to teaching at BATS — where he has taught every class from F1 to advanced genre performance classes — Dave has taught at the Marsh, Stanford University, and the California College of the Arts, as well as for numerous corporate clients. Dave is currently working on “The Method of the Moment”: a new approach to improv that focuses on rigorous attention to the basics. In his spare time, Dave walks, and walks, and walks.
Stephanie Dennison
Stephanie is ecstatic and honored to be performing with BATS Improv after first playing Theatresports with them 30 years ago as an original member of the Stanford Improvisers. (Yay Simps!) In her time away from BATS, Stephanie has been busily teaching improv and other things of relative importance to elementary and middle school kids in IL, CA, and TN. Stephanie is currently the Head of the BATS School of Improv as well as a Youth Improv coach for middle schoolers where she gets to introduce them to the joy of improv and have lots of fun doing it. Stephanie’s other recent title is that of Mrs. Dennison – she enjoys making up new games and formats to play with her husband Dave Dennison.
Zoe Galvez
Zoe Galvez is a professional scripted and improvisational actor with a background in theatre and dance. She has performed locally (Magic Theatre, The Marsh), nationally (New York), and abroad (Canada, Australia) in theatrical productions including adaptations of Dickens’ Hard Times and Melville’s Moby Dick.
She appeared in the West Coast premiere of Sam Shepard’s Eyes for Consuela at the Magic Theatre. That company brought her back as understudy for the female lead in the world premiere of Shepard’s The Late Henry Moss at Theatre on the Square, featuring Academy Award-winning actors Sean Penn and Woody Harrelson and directed by Sam Shepard.
In addition to her stage work, Zoe has appeared in commercials, film, and television (Visa, Dodge Ram, California Tourism, Parenthood, Nash Bridges), corporate trainings (Kaiser Permanente, Apple Computers, Adobe), and industrials (Sony, Cisco, and Elevon with John Cleese) and provided more than 100 voiceovers (Macy’s, Sprint, Battles of Exigo, Scooby Doo Interactive). Her favorite voiceover line ever is “I would have gotten away with it too, if it wasn’t for you meddling kids and your pesky dog!”
She teaches improv to individuals and groups and has worked with corporate clients such as Twitter, cPrime, Kaiser Permanente, Yelp, and Oracle.
In her spare time, she trains her cat. He can “sit” and “ring a bell” on command. Some argue that her cat has trained her.
Zoe is represented by STARS, the Agency.
Rez Graham
David “Rez” Graham is an improviser specializing in long-form improv. In 2014, he founded The Iron Stage, an improv group that performs stories in the style of Game of Thrones and performs in San Francisco. Rez was also in two independent feature films which have been shown at several film festivals around the world.
Along with his current projects, Rez has created and performed with several other groups. He created a theatersports group called The Slackers as well as an improvised medical soap opera group called San Francisco 94105. He has performed a number of other improv formats with various groups including The Harold, Super Scene, genre long-form shows (sci fi, fantasy, horror, western, etc.), improvised stage plays, and more.
Rez has spent most of his professional career as a software engineer for video games, specializing in artificial intelligence. He has been mentoring other engineers and students for many years and has spent the last four years teaching programming at the Academy of Art University. He is currently self-employed teaching programming and improv.
Will Gutzman
Born in Pasadena, California, Will Gutzman has been living the spontaneous life since he began improvising in the ComedySportz high school league. In college, he auditioned for and joined the Stanford Improvisors (SImps) his freshman fall. He became co-president of the SImps for four years and led the group to successful performances in the Bay, Los Angeles, New York City, and Chicago. The SImps lifeblood courses strongly through the Bayfront Theatre, with multiple SImps serving as BATS performers, staff, and alums. Once a SImp, always a SImp!
At BATS, Will wears many hats. He performs with the company, teaches classes for adults and kids, coaches corporate workshops, and is the School Administrator. He is also a facilitator with On Deck Workshops, a leadership development consultancy that specializes in experiential improv-based teaching. He also teaches through StageWrite, an organization that employs improv and the communal art of theatre to help kids build skills in creative expression, collaboration, critical thinking, and literacy. We gotta spread the improv message far and wide!
Outside of his spontaneous life, Will got his master’s at Stanford studying virtual reality. He is interested in a wide variety of virtual reality applications, including virtual production, storytelling, and empathy generation. For his bachelor’s at Stanford, he studied Science, Technology, and Society through the lens of human communication and media. He plays soccer and the viola, but usually not simultaneously.
Wynne Hegarty
William Hall
William Hall has been a professional actor since graduating from Boston University. He has appeared in a few features films, including Hemmingway and Gellhorn with Nicole Kidman and Twisted with Ashley Judd. And, yes, if you look closely you can see him get blown up at the end of Raiders of the Lost Ark.
In 1986 William co-founded the Bay Area Theatresports organization, now BATS Improv, and the BATS School of Improv. He was driven by the desire to put the power in the actors’ hands — BATS continues to empower actors to be the writers, directors, and producers of what happens on our stage.
He is also a founding member of Fratelli Bologna, a business theatre company helping companies increase engagement and develop authentic leadership. He has worked with Kaiser, Salesforce.com, Ancestry.com, and HP, among others. He has served as an entertainment consultant to Disneyland, the Queen Mary, and the World of Coca-Cola.
Additionally, he develops and delivers High Performance Communication and Leadership trainings from Beijing to Bangalore.
William has spoken at many conferences about education and has presented at the World Economic Forum in Davos, Switzerland.
Sebastian Hochman
Brian Michael Jones
Brian Michael Jones is an actor in Los Angeles. He has performed regularly with Impro Theatre, improvising countless full length plays over the last 15 years. His most recent TV/Film work includes Penny Dreadful, American Housewife, Will and Grace, and the upcoming Netflix feature film Mank. In addition to his TV/Film work, he improvises and puppeteers with Brian Henson’s Puppet Up and with Disney’s The Muppets. As a teacher he has taught a variety of improv classes including, Character, Storytelling, Spacework, Genre, and Puppetry. As a director he has coached and hosted shows for the Pepperdine Improv Troupe, Impro Theatre’s Shakespeare Unscripted, Stephen King Improvised, and Rom Com Improvised, and Los Angeles TheatreSports.
Mick Laugs
Brian Lohmann
Brian is thrilled to be back in his home town and working with BATS, which he co-founded in 1986. He is grateful and proud to be part of this imaginative Bay Area institution. Brian began improvising in the late 1970s with the satirical revue, San Francisco Times. A fan of overcommitment, he had a parallel musical career with Acapella Gold &emdash; a Bay Area Jazz sextet that recorded with Tee Carson, hosted the Feather River Jazz Festival and was featured with Bobby McFerrin at the Berkeley Jazz Festival – all while he played bass with the jazz-Latin-funk band, Phases. His first success as a composer came for his score of the cabaret parody, Absolutely Courtney, which won a Drama-Logue award in the early 80s. While a member of the SOMA comedy group, Faultline, Brian created his lounge singer alter ego, Johnny Lonely, an act he has now inhabited for 35 years. Johnny crooned his original comic torch songs at Joe’s Pub, The Seattle Film Festival, The Edinburgh Fringe Festival, the Paradise Lounge and in England, Australia, Germany, Paris and Amsterdam. Johnny also opened for Tenacious D at Largo in Los Angeles and was the supporting act for a tour with John Wesley Harding and The Love Hall Tryst. (Brian was a member of that acapella folk quartet and can be heard singing bass on their album of re-imagined 18th-century murder ballads.) He created the improv/scripted hybrid Pulp Playhouse (1988-95) which helped pioneer genre-based improvisation and feels very fortunate to count many BATS players among the Pulp Players. Since 2002, Brian has been a leadership and public persona development coach for the labor union, SEIU. He has been on the faculty of Pepperdine University, The Old Globe and A.C.T. and has been a guest teaching artist for many other schools and theaters. Other scripted theatre credits include three plays with Rita Rudner at The Laguna Playhouse, in addition to shows at A.C.T., Shakespeare Santa Cruz, The Magic Theater and Off-Broadway with Improbable. Brian spent the last 25 years in L.A. with Impro Theatre directing and improvising in L.A. Noir (Presidio Theater, Litquake, OSF), Tennessee Williams (Odyssey Theater/South Coast Rep), Dickens (Broad Stage/North Coast Rep) and Shakespeare (OSF Green Show, Pasadena Playhouse). Film and TV includes, He Was a Quiet Man, Jack, Thanks, Lifegame, Speechless and American Body Shop. You can find his album, “The One and Lonely, Johnny Lonely,” here: https://brianlohmann.bandcamp.com/album/the-one-and-lonely-johnny-lonely. Brian thanks his wife Kathleen and sons Django and Alistair for their love and support.
Tim Orr
Tim has improvised since 1988 with many San Francisco-based groups, including BATS Improv, True Fiction Magazine, Awkward Dinner Party, and with the acclaimed troupe 3 For All. In 2009, he founded Improv Playhouse of San Francisco.
Tim has also appeared in numerous plays in the San Francisco Bay Area, and received critical acclaim for his leading roles in the improvised feature films, Suckerfish and Security. With Stephen Kearin, Tim co-wrote, and originated the role of Dirk Manly in, An Evening with Dirk & Blaine.
Tim has performed and taught improvisation at the American Conservatory Theatre, BATS Improv, Stanford University, and many other venues nationally (Los Angeles, Chicago, New York, Austin, Louisville, Atlanta, etc.) and internationally (Amsterdam, Barcelona, Beirut, Belgium, Berlin, Bucharest, Hamburg, Helsinki, Lisbon, London, Mallorca, Oslo, Paris, Saudi Arabia, Stockholm, and Tel Aviv).
He has served many times as the Director of various BATS Improv Long-Form Intensives.
John Remak
John joined the BATS Company in 2004 and served as Artistic Director from 2008 to 2011.
Prior to joining BATS, John was a performing member of Flash Family, another long-running San Francisco improv company. John has been a guest performer with many improv groups, including SNAFU, Those Improv Guys, and the acclaimed True Fiction Magazine.
John has also appeared in numerous unscripted play-length hits, such as the soap opera send-up Liquid Soap, the semi-scripted Bar None, the Rocky-style Underdog, and the doctor drama Emotional Hospital, which he also directed and produced.
In addition to performing, John has been teaching improv for more than 20 years. He has also written, directed, and performed in dozens of industrial shows.
John is a proud San Francisco native, a pretty good Etch A Sketch artist, and a practicing California attorney in his spare time.
Corey Rosen
Corey is a writer, actor, improvisor, visual effects artist, and teacher living in San Francisco.
He began taking BATS classes in 1996 and performed with the Sunday Players and Belfry ensembles before becoming a company guest in 2004 and company member in 2005. He is thrilled to share the Bayfront stage with so many committed and talented performers, including his wife, Jenny Rosen.
Corey’s interests extend off the stage to writing, producing, directing, and animating for the stage and screen. His short films (including Keep Clear, Sockrotika VII: The Smell of Socks, and My Brother . . . the Stormtrooper) have screened at festivals around the globe. When not improvising, he can be found at Tippett Studio in Berkeley, creating visual effects for blockbuster movies.
In 2001, Corey created a variety show called The A**hole Monologues: A Comedy for Anyone Who Has One, Knows One, or Is One as a benefit for the Crohn’s and Colitis Foundation of America. The show enjoyed sold out runs (no pun intended) in San Francisco, Los Angeles, Aspen, and New York.
Corey hosts San Francisco’s monthly storytelling series, “The Moth,” at the Rickshaw Stop.
Corey is represented by JE Talent.
Jenny Meyer Rosen
Jenny Meyer Rosen was very shy growing up. Something propelled her into improv, but she couldn’t tell you what. After doing improv for 15 years, she is no longer shy.
Jenny loves to perform, teach, and watch improv. Her delight is in teaching kids around the Bay Area improv, secretly teaching them teamwork and cooperation all while having a ton of fun.
She has performed in San Francisco Fringe Festival as well as The A**hole Monologues, which was created by the man who is now her husband, Corey Rosen. She and Corey have two kids.
Jenny is represented by JE Talent.
Lisa Rowland
Lisa Rowland is a Bay Area native, growing up in the East Bay and getting her improv training at Stanford University with the wise and wonderful Patricia Ryan Madson (author of Improv Wisdom: Don’t Prepare, Just Show Up) before joining the BATS Company in 2006. She teaches and coaches locally and travels the world teaching and performing and connecting with improv friends from Saudi Arabia to Germany to Mexico and New Zealand. When here in the Bay Area, Lisa works as a lecturer at her alma mater, offering improv classes in the Theatre and Performance Studies department at Stanford.
A founding member of two renowned Bay Area improv groups, Awkward Dinner Party and Improv Playhouse of San Francisco, Lisa is also the creator of the improv format The Bechdel Test, which aims to put multi-dimensional women at the center of stories.
A strong believer in the ways that improvisation can help make people healthier and happier, Lisa co-produces a podcast called Monster Baby which explores the intersection of mindfulness and improv (and is available on iTunes or wherever you get your podcasts!). She also uses improvisation in design thinking workshops, encouraging creativity and innovation
Jerry Ruoti
Jerry is a New York native but has spent over a decade in the Bay Area. It was a BATS show in 2009 that fueled his desire to start taking improv classes. Since then Jerry has been a BATS patron, student, guest performer, board member and former board president. He absolutely adores the BATS community and joined BATS Company in September 2023.
Outside of BATS, Jerry was an ensemble member at the Un-Scripted Theater Company from 2013-2021, where he directed and performed a number of improvised shows. Jerry is also the founding member of two Bay Area improv groups, Improv Lab and the duo (sometimes trio) The Trifecta. Jerry has been lucky enough to perform across the nation including San Diego, Austin, Chicago and Orange County.
Jerry has a degree in Industrial and Labor Relations from Cornell University where he directed, wrote and performed in the sketch comedy group, Humor Us! When he isn’t improvising, Jerry works as a Trust and Safety professional.
Susie Sargent
Susie Sargent discovered and fell in love with improv over twenty years ago and enjoys sharing her passion through training, teaching, and performing. She has led workshops and classes for schools and workplaces including preschool students in Berkeley, elementary students in San Francisco, software engineers in Mountain View, and seniors in Oakland. Susie works with a variety of students, ages 3 – 85, whose diversity in backgrounds and interests make for wonderful improv adventures.
For seven years, she was an ensemble member of Un-Scripted Theater Company where she performed full-length improvised plays and musicals as well as Swipe Right, a show about online dating (in which she once played a Krispy Kreme worker and was given an audience member’s donuts). She also performed two seasons with How We First Met, including shows on Crystal Cruises, as well as with lots of fabulous Bay Area improv theaters including BATS Improv.
Susie loves surprising the audience and creating rich and diverse characters and delights in bringing the skills of improvisation to large companies, small businesses, and schools for children and adults of all ages.
Andy Sarouhan
Andy Sarouhan is a Bay Area native. His improvisation training began in 1992, when he joined his high school improvisation team. That event started a chain reaction that eventually resulted in a BA in Theatre from UC San Diego and an MFA in Creative Writing from UC Riverside.
Since 2003, Andy has improvised professionally with Flash Family and the Un-Scripted Theater Company, where he had the opportunity to train and perform in both shortform and narrative longform shows.
He has been a busy improvisation coach since 2001, leading courses for ImprovWorks, UC Riverside, American Conservatory Theater, Cal Shakes, Un-Scripted Theater Company, and BATS Improv. Some of his most rewarding work has been with young people in San Mateo, where he is a coach of two high school improvisation teams, including the team with which he first performed as a teenager.
Sage Simms
Rebecca Stockley
A co-founder of BATS Improv, Rebecca was the Dean of the BATS School of Improv from 1992 to 2003. Rebecca has been designing and teaching improvisation workshops since 1984.
Rebecca has her BFA from the University of Washington Professional Actor Training Program. She has lead improvised theatre workshops for American Conservatory Theatre Advanced Training Program, the Oregon Shakespeare Festival, and the Berkeley Rep School of Theatre.
Rebecca’s first improv group was the Grey Family Players in 1972. She has improvised with the Other Cafe Players, Seattle Theatresports, Out of the Blue, Out of Line, Pulp Playhouse, True Fiction Magazine, Eat the Apple, and Fratelli Bologna. Rebecca has played Theatresports™ in more than 20 cities on 4 continents. She loves performing and directing Keith Johnstone’s Gorilla Theatre, Life Game, and Micetro and she has been instrumental in starting Theatresports in several cities.
Rebecca’s book, Improvisation Through Theatre Sports, provides a curriculum for teaching improvisation to young people.
Rebecca is a pioneer in the application of improvisation to the world of business. Clients include Apple, Stanford University, Pixar Animation Studios, and Telltale Games.
Lana Tleimat
Lana Tleimat is a recent graduate from Stanford University, where she performed with the Stanford Improvisers for three years. She was a teaching assistant for Stanford’s introductory improv class and taught a class on musical improv. She teaches musical improv at BATS. In her free time, she writes musical theater and makes puppets.
Laura Wachtel
Laura felt she was stepping off a cliff when she attended her first BATS class in 2005, yet she stuck with it and credits improv for overcoming her shyness and self-consciousness. She surprised herself further by discovering a passion for both performing and teaching and believes that everyone can get something life-changing from improv if they so choose. She delights in those moments when something goes ‘click!’ with a student.
Bringing characters with real feelings to the improv stage is a favorite of Laura’s, particularly when they break into song. She has guest performed with several improv troupes and is the founder of ZipLine Improv. She once played Elizabeth Frankenstein in The Bride of Frankenstein, staged entirely in black and white to mimic an old film; she enjoys doing plays but doesn’t have the fortitude for the audition process. Besides, she loves that in improv players can be anyone of any age, gender, or physicality.
Laura started ZipLine Improv in 2017 where she lives in Sonoma County in order to bring more improv classes and shows to those who don’t live near BATS. She can also sometimes be found doing spontaneous interpretive dance with fellow coach Susie Sargent.
Derek Yee
Derek Yee took his first class at BATS with Zoe Galvez in October 2007 because he wanted to do something about his shyness. Since then – and much to his surprise – he’s performed in dozens of shows and has taught classes across the nation. Derek became a full BATS Improv company member in January 2021 and is serving as interim Co-Artistic Director with Karen Brelsford.
Outside of BATS, Derek was the creator of The Five Deadly Improvisers – an improv troupe that brought to life fully improvised kung fu movies. Some of the festivals they performed at include Hawaii’s Improvaganza Festival, the Seattle Festival of Improv Theatre, Austin’s Out of Bounds Comedy Festival, Atlanta’s Black Box Comedy Festival, the California Comedy Festival, and the San Francisco Improv Festival. Derek was also a founding member of the group Out of Line, a member of The Streetlight People, and has guest performed with several other groups, including Unscripted Theatre, RagTag Improv, Secret Improv Society, and Big City Improv.
Along with performing, Derek is an active coach at BATS Improv for both the school and the @Work program. Prior to that, he taught improv to students at George Peabody Elementary School in San Francisco as part of their after school program, led workshops for the Dreamworks Animation in-house improv team, and taught Five Deadly’s unique improvised stage combat techniques at some of the festivals that Five Deadly has performed at.
A Bay Area native, Derek spends his non-improv time as a freelance art director and illustrator and as a caretaker for a dog, a cat, a turtle, several fish, and a toddler. And for those wondering, he is much less shy now.”
Rafe Chase
The SF Weekly describes Rafe Chase as one of “the most celebrated figures on the San Francisco improv scene today.” In 1978, after only three months of classes, Rafe began improvising professionally with Flash Family at the Old Spaghetti Factory in North Beach. He left three years later to create the group Riot Squad, which performed both improv and sketch comedy. He served as both the director and head writer.
Joining BATS Improv in 1987 opened up a world of new colleagues and new possibilities. In 1988, while continuing to work with BATS, Rafe became a member of Pulp Playhouse, which performed at the Eureka Theater doing improvised stories in the style of the pulp magazines of the 1930s and 40s.
The next year he formed Improv Theater, which performed for several seasons at the ACT Playroom. With Rafe as the artistic director, the group would pioneer the exploration and performance of longform improv. He was a member of True Fiction Magazine, from its inception in 1994 to 1999, and is still a frequent guest with the group. In 2007, he teamed with Gerri Lawlor for a series of two-person improv shows.
Currently, in addition to the BATS Improv Main Stage Company, Rafe is a member of the critically acclaimed three-man group, 3 FOR ALL. The trio (Chase, Stephen Kearin, and Tim Orr) have wowed audiences in cities across the US and Europe.
In his exploration of longform improv, Rafe has been a pioneer of genre-driven longform and has created several formats, including Split Decision and Double Feature™, which are performed regularly at BATS Improv.
Rafe has taught improv for various institutions in addition to BATS, including Stanford University and ACT, as well as private classes. He has also worked extensively with young people and taught improv at Berkwood Hedge Elementary in Berkeley for three years, to students from 5 to 11.
Rafe’s work as a writer includes sketch comedy, lyrics, articles on show business history, and the recently self-published comic poem, “Alice Is . . . ” He also wrote the one-person show Mysterious Ways for Regina Saisi, his colleague since 1979.
Regina Saisi
Regina Saisi has been a BATS Main Stage Company member since 1987 and has served as Artistic Director, director, and coach. She is currently Dean at BATS School of Improv.
The focus of her work throughout her career has been improvised theatre. She has been deeply involved in the growth of the San Francisco Bay Area’s fertile improvisation community, helping to start several improv companies including Riot Squad, Improv Theatre, Pulp Playhouse, True Fiction Magazine, and Improv Playhouse of San Francisco.
As an actor and improviser, Regina frequently pushes the boundaries of improvisational theory and practice. With Improv Theatre, for example, she helped pioneer longform improv, taking improvised theatre from simple scenes into full-length, multi-act narratives. Pulp Playhouse employed extensive genre study to define both storytelling style and storytelling structure.
She helped create her most sophisticated work with True Fiction Magazine, a company that has performed internationally and has brought the style and structure of telling multiple stories to Sweden, Finland, Italy, and Belgium.
Regina has taught at Studio ACT, San Francisco Conservatory of Music, and TAM High School, where she also directs improvised performances.